POPULAR CINEMA OF THE THIRD REICH

The rest of this paper is structured as follows: Section 2 sets both alternatives against a more detailed history of innovation and the emergence of cinema consumption, sharpening our sense of both the technology aspect and the lag between technical possibility and take-off. In section 3 the available data sources relevant to understanding how the consumption of cinema grew are identified and analyzed in depth, and national differences decomposed in those due to technology and those due to taste

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POPULAR CINEMA OF THE THIRD REICH THIS PAGE INTENTIONALLY LEFT BLANK SABINE HAKE Popular Cinema of the Third Reich UNIVERSITY OF TEXAS PRESS AUSTIN Copyright © 2001 by the University of Texas Press All rights reserved Printed in the United States of America First edition, 2001 Requests for permission to reproduce material from this work should be sent to Permissions, University of Texas Press, P.O. Box 7819, Austin, TX 78713-7819. ` The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Hake, Sabine, 1956– Popular cinema of the Third Reich / Sabine Hake.— 1st ed. p. cm. Includes bibliographical references and index. isbn 0-292-73457-3 (cloth : alk. paper)— isbn 0-292-73458-1 (pbk : alk. paper) 1. National socialism and motion pictures. 2. Motion pictures— Germany—History. I. Title. pn1995.9.n36 h34 2001 791.4390943909043—dc21 2001027790 ... - tailieumienphi.vn

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