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- patchwork
1
sewing clothes: lace top
sewdaily
sewing made modern.
3 fRee clothing sewing
patteRns fRom sew daily
2
3
tie front,
tie Back dress
faux fur
Bolero
sewdaily
1
3 2
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3 FREE Clothing Sewing Patterns from Sew Daily
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Welcome to the Sew Daily e-book: Sewing
Clothes: 3 Free Clothing Sewing Patterns
from Sew Daily
We have gathered together a collection of
clothing patterns that have sweet style and
timeless silhouettes. They are patterns you
can use again and again, creating a new look
by changing the fabric or adding a different
embellishment.
The Patchwork Lace Top by Erin Gilday is
a fun mixing and matching of different laces,
finished with a simple drawstring waist and
velvet tie.
The Tie Front, Tie Back Dress by Jil
Cappuccio is an update on a simple shift dress
with a lace-up collar and crisscross back ties to
add shaping. With a super-simple pattern and
lightweight rayon fabric, this dress is as easy to Photo by Larry Stein
make as it is to wear.
The Faux Fur Bolero by Katrina Loving
is an animal-friendly bolero that adds a touch
of glamour to your favorite holiday dress. 1 Patchwork Lace Top.................................3
The faux fur adds warmth, while the cute
2 Tie Front, Tie Back Dress.......................6
cap sleeves and cropped length keep it light
enough to wear indoors. 3 Faux Fur Bolero.........................................8
Each of these one-of-a-kind designs will be
a great and lasting addition to your wardrobe.
They are elegant enough to please advanced sewdaily
sewists, while also being simple enough for a
beginner to take on. I hope you will enjoy all of
these special clothing patterns and get much
sewing pleasure from them. sewdaily
Editor Amber Eden
Happy stitching, dEsignEr Jocelin Damien
amber eden illustration Ann Sabin Swanson
PhotograPhy Joe Hancock
Editor, Stitch magazine
ProjEct dEsignErs
and SewDaily
Erin Gilday, Jil Cappuccio, Katrina Loving
Projects and information are for inspiration and personal use only. Sew Daily
and Stitch magazine are not responsible for any liability arising from errors,
omissions, or mistakes contained in this eBook, and readers should proceed cau-
tiously, especially with respect to technical information. Interweave grants per-
mission to photocopy any patterns published in this issue for personal use only.
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this issue to be copied for personal use.
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- My Color. My Look. My Thread.
Featuring Dual Duty Plus®
Jean & Topstitching Thread
www.coatsandclark.com
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3 FREE Clothing Sewing Patterns from Sew Daily
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Patchwork
Lace Top
In love with all the pretty lace
options at the fabric store?
Well, why stop at just one?
Fearlessly mix and match dif-
ferent laces to make this bias-
cut flirt-fest of a top. Finish it
off with a simple drawstring
waist and velvet tie.
by erin gilday
Fabric
—1⁄2 yd each of 6 (6, 6, 7, 7) different
nonstretch lace fabrics, 45" or wider;
if you’d like to cut the top from whole
lace yardage, rather than pieced
lace, for a different effect, you’ll need
1¼ (1¼, 15⁄8, 15⁄8, 15⁄8) yd of 45" wide
lace fabric
—1⁄4 yd of nonstretch lace or eyelet
fabric for the sleeves
Other SupplieS
—Coordinating sewing thread
—2 (2¼, 2½, 2¾, 3) yd ivory single-fold
bias tape
—1 yd of 1¼" wide eyelet beading (this
is the trim used at the waist in the
sample) for waistband
—1½ yd velvety cord for drawstring
(make sure your cord will fit through
the eyelets in the eyelet beading)
—Tailor’s chalk or removable fabric
marking pen
Bust Length (Center Back)
XS 31-32" 191⁄2"
S 33-34" 20"
M 35-36" 201⁄2"
L 37-39" 21"
XL 40-42" 211⁄2"
Shown in size Small
For explanations oF
terms + techniques used
click here For our
sewing Basics online
Photo by Joe hancock
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sewdaily 1
Seam FiNiSheS 1
3
FreNch Seam Place two strips wrong
sides together and sew a 1⁄4" seam.
Trim the seam allowance very close to
the stitching. Fold the fabrics along the
seam so their right sides are together.
Stitch 1⁄4" from the first seam, enclos-
ing the raw edges. (Note: For the finest
French seams, make the first seam
allowance a bit more than 1⁄4" and the
second seam allowance a bit less. The
total seam allowance used is still 1⁄2",
but the final seam is narrower.)
figure 1
DOuble-StitcheD After sewing the
seam with a ½" seam allowance, stitch 2
again 3⁄8" from the raw edges with a figure 3
2
straight or zigzag (2.0 mm wide and 1.5
mm long) stitch. Trim the seam allow-
ance close to the second seam, leaving the top’s front panel while the other will
a generous 1⁄8" seam allowance.
form the top’s back panel.
SergeD rOlleD hem Consult your piece patchwOrk paNelS
serger manual to set up the machine
NOte: Sew all seams using one of the
for a rolled hem. Place two strips right
sides together (remember to use ½" figure 2 methods outlined in the sidebar for
seam allowances) and feed as one finished seams.
through the serger. The result is a tiny 2 Arrange the strips from one set
seam covered by serger stitches. when cutting from a block of lace
pieced according to the instructions. vertically, side by side, on a flat surface
The pattern’s grainline will lie to determine a pleasing arrangement.
parallel to the patchwork seams. Sew one set of 12 or 14 strips together,
—Rotary cutter, self-healing mat, and
4
taking care not to stretch the lace as
rigid gridded acrylic ruler (optional) patchwOrk prep you sew.
1 Cut four 4" wide strips across the 3 Cut across the assembled strips
—Serger (optional)
fabric width from each lace patchwork (figure 1) to create 6 or 8 (as indicated
—Full-size pattern PDF on page 13 fabric. Measure and draw the strip in the cutting chart) 4" wide strips. A
edges with tailor’s chalk or a removable rotary cutter is easiest for this task,
NOteS fabric marking pen before cutting the but if a rotary cutter is not available,
—All patchwork construction seam strips with scissors or use a rotary measure and mark the cutting lines
allowances are ½". All other seam cutter, ruler, and self-healing mat to with a straightedge and tailor’s chalk,
allowances are 5⁄8" unless otherwise measure and cut. Either way, take care then cut along the lines with scissors.
indicated. to keep the strip edges straight and
4 Sew the strips from Step 3 together
—The pattern pieces are marked with square. You will have a total of 24 or 28
as before, offsetting the ends by one
a bias grainline for those who would strips (see cutting chart below). Trim
square, as shown in figure 2. Match
like to make the garment from lace the strips to the length given in the
the seamlines, turning the seam
yardage rather than pieced laces. chart for the desired size. Divide the
allowances in opposite directions to
Remember that the grain of the strips evenly into 2 sets with 2 strips of
reduce bulk (all the seam allowances
pieced lace block runs diagonally, each lace in each set. One set will form
in the first strip will be turned toward
so the pattern piece will lie straight
one edge of the strip, and all the seam
allowances in the second strip will be
cuttiNg chart turned in the opposite direction, and so
For this size Use this many trim each 4" (10 cm) wide cUt this many 4" (10 cm) wide strips on).
lace Fabrics strip to this length From the pieced block (step 3)
5 Join the free edges of the patchwork
Xs 6 24" 6
s 6 32" 8 block, right sides together, to form a
m 6 32" 8 continuous tube (figure 3). Press the
l 7 32" 8 seam allowances to one side.
Xl 7 32" 8
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4
should fall along the opened fold of
the bias tape. The sleeve lies between
the garment and the bias tape. Fold
the tape to the garment wrong side
and press. The bias tape should not
be visible from the garment right side.
Topstitch along the free edge of the bias
tape. Repeat Steps 12–15 for the other
armhole.
r Apply bias tape to the neckline of
the top, as in Steps 14 and 15. Begin
applying the bias tape at one shoulder
figure 4
seam by folding 1⁄4" of the bias tape
end to the wrong side. Pin the tape
aSSemble tOp around the entire neckline, finishing by
NOte: Use 5⁄8" seam allowances in this overlapping the previously folded end.
section, unless otherwise indicated. Trim away the excess bias tape. When
9 Staystitch a scant 1⁄8" from the the bias tape is pressed to the garment
raw edge along the armhole and the wrong side, the folded end will conceal
neckline of both the Front and the Back. the raw edges.
Matching the guidelines, sew the darts t With right sides of the Front and
in the front. Press the darts downward. Back together, join the side seams
0 Join the Front to the Back at the using the method previously used for
shoulder seams, using the method sewing the strips. Press the seams to
previously used for sewing the strips. one side.
Press the seams toward the back. y Using the placement line on the
- With right sides together, sew 2 pattern as your guide, pin the eyelet
of the Sleeve pieces together along beading around the top, beginning
the outside edge using a ¼" seam at one side seam. When the beading
allowance. Do the same for the other returns to the starting point, cut the
6 Using the patch corners as a guide, 2 Sleeve pieces. Turn right side out excess beading 1" beyond the overlap.
mark a straight line anywhere along the and press, clipping along the seam Turn 1⁄2" to the wrong side so the
tube (from corner to corner) and cut it allowance, if necessary, so that the folded end overlaps the raw edge 1⁄2".
open to form a flat block of patchwork seam is smooth. Topstitch 1⁄8" from the Stitch the beading in place along its
(figure 4). Press the panel flat. The finished sleeve edge. top and bottom edges, through all
patchwork is now on the bias and = With right sides together, pin layers. Thread the velvet cord in and
therefore very susceptible to distortion, 1 sleeve to the top of an armhole, out through the holes in the beading,
so take care to avoid stretching the matching the sleeve notch to the beginning and ending at the center front
panel. shoulder seam. (a large safety pin attached to the cord’s
7 Repeat Steps 2–6 with the remaining leading edge makes the process easier).
q Sew the sleeve to the armhole, using Tie knots in each end of the cord.
lace strips to form the back panel. a ¼" seam allowance.
u To hem the bottom edge, fold 1⁄2"
cut Fabric w Leave the sleeve flipped up along the to the wrong side and press. Fold and
8 Using the provided pattern, cut 1 shoulder seam (right sides together). press an additional 1⁄2" to the wrong
Front from the front patchwork panel Open one fold of the bias tape and pin side. Topstitch close to the upper fold to
and 1 Back from the back patchwork it to the entire circumference of the secure the hem.
panel. Cut 4 Sleeves from the lace armhole right sides together, beginning
or eyelet fabric. Transfer all pattern and ending at the underarm raw edges. Erin Gilday is a crafts designer and sewing
markings to the wrong sides of the lace e Stitch the bias tape to the armhole instructor from Portland, OR.
patchwork or fabric. with a ¼" seam allowance, which
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Tie Front,
Tie Back
Dress
Update a simple shift dress
with a lace-up collar and criss-
cross back ties to add shaping.
With a super-simple pattern
and lightweight rayon fabric,
this dress is as easy to make as
it is to wear.
by Jil cappuccio
Fabric
Woven rayon fabric
Fabric YarDageS
SIZE 45" 60"
XS 2 3⁄8 yd 1 5⁄8 yd
S 2½ yd 1¾ yd
M 2 7⁄8 yd 2¼ yd
L 3 1⁄8 yd 2 5⁄8 yd
XL 3¼ yd 2¾ yd
Other SupplieS
— ¼ yd of fusible interfacing
— Matching
sewing
thread
Bust
XS 29"
— 6 yd of ½"
S 31"
wide twill
M 37"
tape
L 41"
— Tailor’s
XL 45"
chalk or
Shown in size Small
removable
marker
— Point turner
— Full-size pattern starting on Page 37
NOteS
— All seam allowances are ½" unless
otherwise noted.
— Zigzag, pink, overcast, or serge all
raw edges.
For explanations oF
terms + techniques used
click here For our
sewing Basics online
Photo by Larry Stein
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- tie front tie back
tie front tie bac
sewdaily sewing clothing:
3 FREE Clothing Sewing Patterns from Sew Daily collar with interfacing
sewdaily collar with interfacing
figure 1 Interfacing
Collar
Transferring the buttonhole locations
Thread a handsewing needle with contrasting
thread for visibility. Follow the arrows, stitch- A B
ing through the facing, interfacing, and dress
— Press seams open unless otherwise front. The thread goes into the fabric at A,
noted. leaving a ½" tail, and out at B. Then go into A figure 2 ½"
again and back out at B; cut the thread, leav-
cut Out Fabric ing a ½" tail. There are no knots, so the thread
is easy to remove later.
1 Print and assemble the pattern
pieces from the pattern provided.
2 Pin the pattern pieces to the fabric
or interfacing, as directed, and cut
out all pieces. Transfer all pattern sleeve into the dress. Finish the raw shoulder seams with a few whipstitches
markings to the fabric wrong side with edges and press the seam toward the (see Stitch Glossary in Sewing Basics
tailor’s chalk. sleeve. online), covering the twill tape ends.
Sew cOllar aND FaciNg Press flat.
Sew DreSS back
3 Fuse the interfacing to the wrong 8 Fold the interfaced collar, right sides cOmplete DreSS
sides of the facing piece and one half of together, and stitch the short ends. Turn q Finish the sleeve and dress hem
the collar (figure 1). Use tailor’s chalk right side out and use a point turner to raw edges by pinking, serging, or
or a removable marker to transfer make nice sharp points. Press flat. zigzagging. Press 1" to the wrong side.
the buttonhole locations to the front 9 Baste the collar to the dress Topstitch 7⁄8" from the fold to secure the
facing’s right side after the interfacing neckline from the front neck notch to dress and sleeve hems.
is fused in place. the shoulder notch. Continue basting w Pin or baste the facing to the dress
across the back neckline and to the front to prevent shifting. Transfer the
4 Stitch the center back seam.
shoulder and front neck notches on the buttonhole locations on the facing to the
5 Cut four 2" lengths of twill tape. Fold other side. dress front by taking small handstitches
in half and baste one to the fabric right
0 Turn under ¼" on the front facing through all layers (figure 2). Make ½"
side at each notch, raw edges even,
outer edge and stitch to clean-finish the long buttonholes through the dress
along the back’s side seams. These will
facing. Match the facing raw edge to the front and facing at each of the four
be the loops for the back tie.
dress neckline, right sides together, and marked locations. Clip the buttonholes
Sew DreSS FrONt stitch using a ¼" seam allowance. open. Cut 2 yd of twill tape and lace up
6 Sew the dress front to the assembled the front.
- Cut a piece of twill tape to fit across
dress back at the shoulder and side the back neck, extending about ½" e Thread the remaining twill tape
seams. Be sure to catch the twill tape beyond the shoulder seam on each side. through the side seam loops to lace up
loops in the side seams. Pin the twill tape to the back neckline the back.
7 Sew the underarm seam of each along the seam. Topstitch along both
edges of the twill tape, covering the jil cappucio has been a designer,
sleeve. Match the sleeve underarm seamstress, and shopkeeper for well over a
seam to the dress side seam and the seam allowance.
decade. She creates her one-of-a-kind clothing
shoulder notch to the dress shoulder = Clip the front point and turn the from found fabrics at her studio/shop in Denver,
seam, right sides together, and pin. facing to the wrong side of the dress. Colorado. Visit her online at jilcappuccio.com.
Stitch the armhole seam to set the Secure the facing to the dress at the
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Faux Fur
Bolero
The animal-friendly faux fur
in this sleek bolero is soft and
luxurious and adds a touch of
glamour to your favorite holi-
day dress. The faux fur adds
warmth, while the cute cap
sleeves and cropped length
keep it light enough to wear
indoors.
by katrina loving
Fabric
—½ (½, 5⁄8, 2⁄3, 2⁄3) yd of 60” wide faux
fur (Main; the width of faux fur
should give you enough to allow for
matching if you choose a patterned
fur, but if your faux fur is patterned
and narrower, you’ll want to allow
extra for matching; see Notes)
—¾ (¾, ¾, 7⁄8, 7⁄8) yd brocade or
medium-weight satin for lining (at
least 45” wide; see Notes)
Other SupplieS
—Matching all-purpose sewing threads
for faux fur and lining fabrics
—1½ yd of ½–5⁄8” wide silk or soft satin
ribbon
—Fine-point permanent marker
(optional; see sidebar on page 10)
—Fabric marking pen or tailor’s chalk
—Serger (optional)
—Ballpoint needle for sewing machine
—Microtex needle for sewing machine
(if using brocade) or appropriate
needle for lining fabric (check your
sewing machine manual)
—Press cloth
—Tailor’s ham or rolled towel
—Long straight pins
—Handsewing needle
—Full-size pattern PDF on page 70.
For explanations oF
terms + techniques used
click here For our
sewing Basics online
Photo by Joe hancock
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Bust Length (Center Back) tips For working with Faux Fur
XS 32-33" 131⁄2"
— When transferring the pattern to the along the entire seam allowance before
S 34-35" 133⁄4"
wrong side of faux fur, use a brightly sewing if desired; to facilitate trimming,
M 36-37" 141⁄4"
colored fine-point permanent marker; draw a guideline just shy of " from the
L 38-39" 143⁄4"
the markings won’t be visible on the cut edge on the fabric wrong side and
XL 41-42" 151⁄4"
fabric right side. It is also important to staystitch along the line. Flip the fur to
Shown in size Small
mark notches clearly with ink that won’t the right side and use sharp fabric shears
disappear before you have completed the to trim the pile outside the staystitching,
NOteS project. Marking the notches, rather than leaving the base fabric intact. Work over
—All seam allowances are 1⁄2” unless cutting them into the fabric, is preferable, a trash can to catch the trimmings. Keep
otherwise noted. because the pile makes small notches the trimming a bit shy of the full " seam
—Use the Microtex needle when sewing difficult to see. allowances to allow for inevitable slight
the lining and the ballpoint needle variations in accuracy during sewing.
when sewing the fur. If sewing both — To cut faux fur, slip the scissors blade
Because the sample fur is not super-thick,
together, use the ballpoint needle. below the pile, close to the base fabric,
trimming the pile along the edge even
—Choose a faux fur that is pliable and and cut only the base fabric. When a pat-
with the base fabric edge is sufficient
relatively lightweight with a medium tern piece is cut, pull it gently away from
(this makes the base fabric edge more vis-
to low pile. If you choose a fur that is the remaining fabric, separating the pile.
ible). After pressing the seam allowances
too thick or stiff, or has a high pile,
— Always cut faux fur in a single layer, open, trim the remaining pile in the
it will be more difficult to work with
and may not be comfortable to wear. not folded. To cut pairs of pieces (e.g., a seam allowances to reduce bulk. Practice
right front and a left front), cut the pieces sewing on a doubled scrap of faux fur to
—When choosing a lining fabric, pick
singly, flipping the pattern over for the determine which method will best suit
a medium-weight brocade or satin.
Avoid anything too lightweight second piece. the chosen fabric.
because it will be too flimsy with the — When working with faux fur, it is — When sewing on fur, increase the
bulk of the fur at the seams. much easier to keep the seam allow- stitch length on your machine to about
—Use a press cloth to protect the shell ances even if the pile is trimmed from 3.0 mm and always sew with the nap.
and lining fabrics. the edges before sewing. Trim the pile
cut & prepare the Fabric
1 If your faux fur has a pattern, such Fold the lining fabric in half lengthwise
as the stripes seen in the sample, and cut the following pieces, referring
be sure to match the pattern on the to the layout diagram on the following
different pieces before cutting. pages for assistance:
2 Print and assemble the pattern —One Back Lining on the fold
pieces included in this PDF. Lay the
faux fur wrong side up on a flat surface. —Two Front Linings (cut 1, cut 1
Using the provided pattern pieces, cut reverse)
the following from the faux fur, being —Two Sleeve Linings (cut 1, cut 1
sure to clearly transfer all pattern reverse) on the bias
markings and referring to the layout 3 Serge, zigzag, overcast, or pink all
diagram on the following pages for edges of each lining piece, especially if
assistance (make sure you place all you are using brocade, because it tends
pieces oriented in the same direction so to ravel.
that the nap runs toward the bottom of
the pieces): aSSemble the Shell & liNiNg
—One Back 4 Prepare the seam allowances of the Sew the side seam and press the seam
fur pieces with your preferred method allowances open, using a press cloth
—Two Fronts (cut 1, cut 1 reverse) to protect the fur. Pin, stitch, and press
(see Notes). Increase the stitch length
—Two Sleeves (cut 1, cut 1 reverse) on your machine to about 3.0 mm and the shoulder seam. Repeat to sew the
—One Collar Facing install the ballpoint needle. Place the remaining Front piece to the free side of
Back and one of the Front pieces right the Back.
sides together and pin the side seam.
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5 Staystitch ½” from the bottom edge
of the Collar Facing. Align the top edge
of the Collar Facing with the collar
edge of the shell, right sides together,
and pin. Sew the seam, clip the seam
allowances as necessary, and then
press the seam allowances open. Trim notch
the seam allowances to ¼”.
6 With the Collar Facing lying flat
above the shell, staystitch ½” from each
side edge of the facing, continuing to
the notch on the shell (figure 1).
7Sew the Lining Back and Front pieces
together as in Step 4.
aSSemble the bOlerO
8Cut the ribbon in half and place one
short edge of each ribbon on the shell well as you can using a tailor’s ham or
between the notches at the center rolled towel underneath. Trim the fur
front, matching the raw edges, with the figure 1
seam to ¼”, tapering to about 1⁄8” at the
bulk of the ribbon lying on the shell, underarm seam intersection.
and pin in place. Place the assembled w Pull the lining over the fur sleeve,
lining and shell right sides together, = Place one Sleeve and Sleeve Lining with wrong sides together, and pin
matching the raw edges along the front right sides together and pin along the the pressed edge of the lining over
and bottom edges (the lining does not straight edge. Using the standard stitch the armhole seam, just covering the
have a full collar, so it won’t match the length (2.0–2.5 mm), sew the seam, armhole stitches. Using a handsewing
shell along the top edge). Make sure the then press the seam allowances open needle, blindstitch the lining to the
long ribbon edges are away from the and trim the fur allowance to ¼”. Open armhole, enclosing all raw edges. The
seam. Pin and then sew from the top of out the sleeve so that the fur and lining sleeve lining is a bit smaller than the
one Front, down and around the bottom are lying side by side. Fold the sleeve in sleeve, so the fur will roll slightly to
edge, and then back up the other Front, half, right sides together, to match the the wrong side along the sleeve’s outer
catching the ribbon tie edges in the underarm edges and pin (fur will lie on edge.
seam. Clip the seam allowances as top of fur, lining on top of lining). Sew
e Repeat Steps 13–14 to attach the
necessary, press them open, and trim the seam, using a 3.0 mm stitch length
remaining sleeve.
the fur seam allowance to ¼”. on the fur and then switching to a
standard stitch length to sew the lining. r Finally, fold the collar facing down
9Turn the bolero right side out and run Press the seam allowances open and over the collar so that the seam lies
your hand along the inside of the seam along the top. Turn the ½” allowances
trim the fur allowances to ¼”, tapering
to make sure the seam is completely under along the staystitched lines and
to about 1⁄8” at the seam intersection
turned out, with no pleats. The lining is pin in place as in Step 14, making sure
(where the fur and lining meet). Press
slightly smaller than the shell, so when that the neck edge of the lining is evenly
½” to the wrong side along the curved
the bolero is finished, the fur will roll covered by the collar facing. Remember
edge of the lining only. Repeat the entire
slightly to the inside of the bolero. to turn in the seam allowances at the
step to assemble the other sleeve. Turn
0 Match the shell and lining at the the sleeves right side out. center front edges. Using a handsewing
armhole and pin. Baste around the needle, blindstitch the facing in place.
q Turn the bolero inside out and pin
armhole, ¼” from the edge. Repeat to t Leave the ribbon ties long and
one sleeve into the armhole, right sides
secure the other armhole. dramatic, cutting the edges at an angle
together, aligning the fur free edge with
- Staystitch along the curved edge of the armhole raw edges and matching to discourage fraying, or for a more
each Sleeve Lining, ½” from the raw the notches and underarm seams. Sew finished look, fold the end of each
edge. the armhole seam, then clip the seam ribbon under and stitch it in place. For
allowances and press them open as shorter ties, tie the bow and then trim
the ribbon tails to the desired length.
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cut 2 XXxx
XL
LABELS FOR YIELDS
L
sewdaily children’s sewing patterns:
M
XS back selvedges fold
S
S
M
4 FREE Sewing Patterns for
L Kids
XS
XL
sewdaily
guide GettinG Started Basic techniques + terms you’ll
XL
need to know for the pattern you have downloaded.
L
M
aSSemBlinG full-Size pattern printout pattern SymBolS & markinGS
XL
S
other text
L
1 |
When prepar- cut on fold
XS
M
ing to print the PdF, Button + Buttonhole
S
XS
make sure that you are placement markS Solid lines indi-
printing it at 100% and cate buttonholes. A large open circle is
that there is no scaling. the button symbol and shows placement.
Check the settings for
page scaling (should be Test Square LABELS FOR
XS cuttinG lineS Multisize back selvedges
“None”) and check the
2" 2" S patterns other different cutting
have text
preview to make sure M cut on fold
that you will be printing L lines for each size.
text at full size. Make sure
XL
that the box labeled “Au- LABELS FOR YIELDS place on fold Bracket This is
to-Rotate and Center” selvedges
a grainline marking with arrows pointing
XS back fold
S is unchecked (instruc- ASYMMETRICAL FOLDS SKIRTon the
to the edge of the pattern. Place
M
L tions apply specifically to Adobe Reader; if using another PdF fold of the fabric so that your finished
XL RIGHT FRONT
reader, check for similar settings). piececut 2 XXxx the size of the pattern
will be twice
|
2 To ensure that the pattern has printed at the correct scale, piece, without adding a seam.
check the size of the TEST SQUARE. The Test Square
XL
DS should be 2" × 2”. Grainline The double-ended arrow
L
|
3 To begin assembling the pattern, cut off or fold the dotted
M
fold should be parallel to the lengthwise
margin around each page.
grain or fold unless specifically marked
4 The ASYMMETRICAL FOLDS SKIRT
| pages are numbered in rows, so the first row of pages
as crosswise. Bias grainlines will be
XL
is numbered 1a, 1b, 1c, etc. Line FRONT and match the
RIGHT up the rows
diagonal.
L
dotted lines together so they overlap. Tape the pages together.
cut 2 XXxx
M
LABELS FOR YIELD
Use the illustrated guide to match each piece. Once the pattern
notcheS Notches are triangle- selvedges
S
XS back
is complete, find your size, pin the pattern to the fabric, and fol- S
XS
low the coordinating line to cut out or trace the pattern. M
L
shaped symbols used for accurately
XL matching seams. Pieces to be joined will
layout, markinG & cuttinG GuidelineS have corresponding notches.
|
1 Find the lines that correspond to your size and trace other text
the pattern pieces, either on tissue paper or directly onto cut on fold dartS Lines and dots mark darts.
the fabric, using tracing paper and a tracing wheel.
The lines show where the stitching
|
2 If you are cutting pattern pieces on the fold or cutting
other text will be, and the dot shows the position
cut two of the same pattern piece, fold the fabric in half,
on fold XL
of the dart point (signaling the point, at
S
selvedge to selvedge, with right sides together. Note that this
L
the end of the dart, where your stitching
XS
M
technique is not appropriate for some fabrics, so check the
should end).
S
project instructions if you are unsure.
|
3 Lay the pattern pieces on the fabric as close together pattern dotS Filled circles indicate
as possible. double-check that all pattern pieces to be
that a mark needs to be made (often on
cut “on the fold” are placed on the fold.
the right side of the fabric) for placement
|
4 Make sure all pattern pieces are placed on the fabric of elements such as a pocket or a dart
with the grainline running parallel to the lengthwise grain unless
point. Mark by punching through the pat-
a crosswise or bias grainline is present. other text
cut on fold paper only, then mark on the fabric
tern
|
5 Copy all pattern markings onto the wrong side of the fabric
through the hole.
unless otherwise noted.
|
6 Read through all cutting instructions listed in the project
SlaSh markS A dashed line (some-
instructions for directions on how many pattern pieces to
cut out of your fabric and interfacing. times appearing with pattern dots)
indicates an area to be slashed. Further
|
7 Use weights to hold the pattern pieces down and use
instructions for making the slash will be
pins to secure the corners as needed.
included in the pattern instructions.
|
8 Cut the pieces slowly and carefully.
© F+W Media, inc.
All rights reserved.
F+W Media grants permission for any or all pages in
this issue to be copied for personal use.
page 12 of 91
visit sewdaily.com
- sewdaily sewing clothing:
3 FREE Clothing Sewing Patterns from Sew Daily
sewdaily
Patchwork Lace Top Patterns + Cutting Layouts
1a 1b 1c 1d 1e 1f
patchwork lace top
patchwork lace top
sleeve
cut 4
2a 2b 2c 2d 2e 2f
cut 1
back
patchwork lace top
3a 3b 3c 3d 3e 3f
patchwork lace top
front
cut 1
4a 4b 4c 4d
© F+W Media, inc.
All rights reserved.
F+W Media grants permission for any or all pages in
this issue to be copied for personal use.
page 13 of 91
visit sewdaily.com
- sewdaily sewing clothing:
3 FREE Clothing Sewing Patterns from Sew Daily
sewdaily
Patchwork Lace Top Patterns + Cutting Layouts
lace patchwork panel 45" (114.5 cm)
XS, S, M, L, XL alternate lace yardage XS, S, M, L, XL
Ba
B
acc
kk
front/back
selvedges
selvedges
tt
on
on
Fr
Fr
nonstretch lace or eyelet
XS, S, M, L, XL
selvedges
fold
Sleeve Sleeve
© F+W Media, inc.
All rights reserved.
F+W Media grants permission for any or all pages in
this issue to be copied for personal use.
page 14 of 91
visit sewdaily.com
- 1a
patchwork lace top
- 1b
patchwork lace top
sleeve
cut 4
- 1c
- 1d
- 1e
- 1f
nguon tai.lieu . vn
