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RESONANCE Chris Dolley This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental. Copyright ©2005 by Chris Dolley All rights reserved, including the right to reproduce this book or portions thereof in any form. A Baen Books Original Baen Publishing Enterprises P.O. Box 1403 Riverdale, NY 10471 www.baen.com ISBN-10: 1-4165-0912-7 ISBN-13: 978-1-4165-0912-9 First printing, November 2005 Cover Art by Allan Pollack Library of Congress Cataloging-in-Publication Data Distributed by Simon & Schuster 1230 Avenue of the Americas New York, NY 10020 Typeset by Windhaven Press, Auburn, NH Printed in the United States of America Acknowledgements I`d like to thank Kat Mancos, Elizabeth Mcglothin, N.R. Simpson, Shawn Thompson and Derrick Barnsdale for their helpful advice and comments. One Graham Smith locked the Post Room door, turning the key clockwise as far as it would go. He paused, counting his breaths—one, two—then turned the key counterclockwise. Another pause, more breaths, it had to be four this time, four was good, all even numbers were but four especially so. He repeated the procedure, action for action, breath for breath. Lock, unlock; breathe and count. Twice with the right hand and twice with the left. Only then could he leave work, satisfied that the door was indeed locked and all was well with the world. Not that it would be for long. You can`t create a world in seven days without cutting corners. "Are you going to the Princess Louise tonight?" A woman`s voice. Anne from Small Businesses? He didn`t turn to find out, he knew the question wasn`t for him. People didn`t talk to Graham Smith unless they had to. Or they were new. Before someone took them aside for a friendly chat, thinking themselves out of earshot, thinking that just because someone was quiet they must be deaf as well. But he`d heard them, heard the whispered warnings by the coffee machine. Don`t bother with Graham, he`ll never answer. I`ve worked here fifteen years and never got a word out of him. Don`t get me wrong, he`s not dangerous or anything. Just weird. Weird but harmless. The woman brushed past, not giving Graham a second look as he turned and dropped the Post Room key into his jacket pocket. He`d been right. It had been Anne, now deep in conversation with the new girl from personnel, planning their night out, eyes flashing, words dancing between them. Conversation came so easily to some people. A tap they could turn on and off without ever worrying what would come spewing out. Something Graham Smith had never mastered. He`d barely spoken since his ninth birthday and that was twenty-four years ago. He followed them into the lobby, watched as they waved to Andy at the door, barely breaking sentence as they wished him a good night and pushed through onto the pavement outside. Graham carefully placed the Post Room key on the reception desk with his right hand—Mondays were always right-handed days—and smiled towards the guard`s left shoulder. Eye contact was unlucky whatever the day. He stepped outside, blinking into the early summer evening. London on a sunny day in June—bright summer clothes, red buses and black taxis. Noise and bustle all around. He turned right, striding out along the pavement, matching his step to the paving stones, assiduously avoiding the cracks. Don`t step on the cracks—everyone knew the sense of that. One of the first things you learned as a child. But too many people forgot. Or didn`t care. Graham Smith cared. He knew that paving stones set the cadence of a street; that cracks regulated the stride length and set the resonance that kept everything stable and harmonious. Step on the cracks and the street slipped out of kilter. Imperceptibly at first. Minute changes around the edges, a new person living at number thirty-three, a strange car outside number five. Step on the cracks too often and . . . well, anything could happen. He`d seen houses turned into blocks of flats overnight. Parades of shops come and go. Terraces demolished, office blocks erected. All overnight when no one was looking. The world was a far more fragile place than people realized. And every now and then a thread would work loose and something or someone would unravel. A cloud of diesel smoke spilled out from a bus revving away from its stop. Graham stepped diagonally to avoid it, stretching three pavers over. A few steps more and he had to change lanes again, the pavement filling with commuters and tourists. He sidestepped, jumped and picked his way through the crowd. One eye on his feet and one a few paving stones ahead, searching out the next obstacle. Which was when he saw her. She was walking in front of him—four paving stones ahead. Four paving stones exactly, her feet studiously avoiding the cracks, just like Graham. Except that she didn`t have to dart back and forth to avoid the other pedestrians—they moved aside for her. He watched, fascinated, as a group of men split apart to let her pass, turning as they did so, their eyes scanning every inch of her, their attention wandering so much that Graham had to sidestep quickly to avoid a collision. The young woman walked on, indifferent, not looking left nor right. Graham was fascinated. She flowed along the road, catlike, not walking so much as dancing with the street, her feet matching perfectly the rhythm of the pavement. Who was she? And why hadn`t he seen her before? He walked this road every day, always at the same time. Was she a tourist? He could see no telltale sign. No camera, no map, not even a bag. Her hands swung loose by her side. Elegant hands, long and slim, like her. Everything about her resonated elegance . . . except . . . except now that he looked closer he could see that her clothes were dirty—her short brown dress looked like it had been slept in for weeks. Or was that the fashion these days? And her hair was badly dyed, a metallic red streaked with black . . . or was that dirt? He followed her, couldn`t take his eyes off her, as she cut a swath through the packed pavement. He watched her from her long, bare legs to her streaky, tousled top. She was like a sinuous metronome, clicking out an unchanging beat, looking straight ahead and not deviating an inch. Something else caught his eye. What was that above her right ankle? A bruise? No, a tattoo. Something in blue. He quickened his pace, he had to know everything about this girl. He closed the distance between them to three paving slabs, two. He could almost ... - tailieumienphi.vn
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